T he 1950s saw the delayed impact of modernization and technology in everyday life, left over from the 1920s -- before the Great Depression. World War II brought the United States out of the Depression, and the 1950s provided most Americans with time to enjoy long-awaited material prosperity. Business, especially in the corporate world, seemed to offer the good life (usually in the suburbs), with its real and symbolic marks of success -- house, car, television, and home appliances.
Yet loneliness at the top was a dominant theme; the faceless corporate man became a cultural stereotype in Sloan Wilson's best-selling novel The Man in the Gray Flannel Suit (1955). Generalized American alienation came under the scrutiny of sociologist David Riesman in The Lonely Crowd (1950). Other popular, more or less scientific studies followed, ranging from Vance Packard's The Hidden Persuaders (1957) and The Status Seekers (1959) to William Whyte's The Organization Man (1956) and C. Wright Mills's more intellectual formulations -- White Collar (1951) and The Power Elite (1956). Economist and academician John Kenneth Galbraith contributed The Affluent Society (1958). Most of these works supported the 1950s' assumption that all Americans shared a common lifestyle. The studies spoke in general terms, criticizing citizens for losing frontier individualism and becoming too conformist (for example, Riesman and Mills), or advising people to become members of the "New Class" that technology and leisure time created (as seen in Galbraith's works).
The 1950s actually was a decade of subtle and pervasive stress. Novels by John O'Hara, John Cheever, and John Updike explore the stress lurking in the shadows of seeming satisfaction. Some of the best work portrays men who fail in the struggle to succeed, as in Arthur Miller's Death of a Salesman and Saul Bellow's novella Seize the Day (1956). Some writers went further by following those who dropped out, as did J. D. Salinger in The Catcher in the Rye (1951), Ralph Ellison in Invisible Man (1952), and Jack Kerouac in On the Road (1957). And in the waning days of the decade, Philip Roth arrived with a series of short stories reflecting his own alienation from his Jewish heritage (Goodbye, Columbus, 1959). His psychological ruminations have provided fodder for fiction, and later autobiography, into the 1990s.
The fiction of American Jewish writers Bellow, Bernard Malamud, and Isaac Bashevis Singer -- among others prominent in the 1950s and the years following -- are also worthy, compelling additions to the compendium of American literature. The output of these three authors is most noted for its humor, ethical concern, and portraits of Jewish communities in the Old and New Worlds.
John O'Hara (1905-1970) Trained as a journalist, John O'Hara was a prolific writer of plays, stories, and novels. He was a master of careful, telling detail and is best remembered for several realistic novels, mostly written in the 1950s, about outwardly successful people whose inner faults and dissatisfaction leave them vulnerable. These titles include Appointment in Samarra (1934), Ten North Frederick (1955), and From the Terrace (1958).
James Baldwin (1924-1987) James Baldwin and Ralph Ellison mirror the African-American experience of the 1950s. Their characters suffer from a lack of identity, rather than from over-ambition. Baldwin, the oldest of nine children born to a Harlem, New York, family, was the foster son of a minister. As a youth, Baldwin occasionally preached in the church. This experience helped shape the compelling, oral quality of Baldwin's prose, most clearly seen in his excellent essays, such as "Letter from a Region Of My Mind," from the collection The Fire Next Time (1963). In this, he argued movingly for an end to separation between the races.
Baldwin's first novel, the autobiographical Go Tell It On the Mountain (1953), is probably his best known. It is the story of a 14-year-old youth who seeks self-knowledge and religious faith as he wrestles with issues of Christian conversion in a storefront church. Other important Baldwin works include Another Country (1962), a novel about racial issues and homosexuality, and Nobody Knows My Name (1961), a collection of passionate personal essays about racism, the role of the artist, and literature.
Ralph Waldo Ellison (1914-1994) Ralph Ellison was a midwesterner, born in Oklahoma, who studied at Tuskegee Institute in the southern United States. He had one of the strangest careers in American letters -- consisting of one highly acclaimed book, and nothing more. The novel is Invisible Man (1952), the story of a black man who lives a subterranean existence in a hole brightly illuminated by electricity stolen from a utility company. The book recounts his grotesque, disenchanting experiences. When he wins a scholarship to a black college, he is humiliated by whites; when he gets to the college, he witnesses the black president spurning black American concerns. Life is corrupt outside college, too. For example, even religion is no consolation: A preacher turns out to be a criminal. The novel indicts society for failing to provide its citizens -- black and white -- with viable ideals and institutions for realizing them. It embodies a powerful racial theme because the "invisible man" is invisible not in himself but because others, blinded by prejudice, cannot see him for who he is.
Flannery O'Connor (1925-1964) Flannery O'Connor, a native of Georgia, lived a life cut short by lupus, a deadly blood disease. Still, she refused sentimentality, as evident in her extremely humorous yet bleak and uncompromising stories. Unlike Porter, Welty, and Hurston, O'Connor most often held her characters at arm's length, revealing their inadequacy and silliness. The uneducated southern characters who people her novels often create violence through superstition or religion, as we see in her novel Wise Blood (1952), about a religious fanatic who establishes his own church.
Sometimes violence arises out of prejudice, as in "The Displaced Person," about an immigrant killed by ignorant country people who are threatened by his hard work and strange ways. Often, cruel events simply happen to the characters, as in "Good Country People," the story of a girl seduced by a man who steals her artificial leg.
The black humor of O'Connor links her with Nathanael West and Joseph Heller. Her works include short story collections (A Good Man Is Hard to Find (1955) and Everything That Rises Must Converge (1965); the novel The Violent Bear It Away (1960); and a volume of letters, The Habit of Being (1979). Her Complete Stories came out in 1971.
Saul Bellow (1915- ) Born in Canada and raised in Chicago, Saul Bellow is of Russian-Jewish background. In college, he studied anthropology and sociology, which greatly influence his writing even today. He has expressed a profound debt to Theodore Dreiser for his openness to a wide range of experience and his emotional engagement with it. Highly respected, he received the Nobel Prize for Literature in 1976.
Bellow's early, somewhat grim existentialist novels include Dangling Man (1944), a Kafkaesque study of a man waiting to be drafted into the Army, and The Victim (1947), about relations between Jews and Gentiles. In the 1950s, his vision became more comic: He used a series of energetic and adventurous first-person narrators in The Adventures of Augie March (1953) -- the study of a Huck Finn-like urban entrepreneur who becomes a black marketeer in Europe -- and in Henderson the Rain King (1959), a brilliant and exuberant serio-comic novel about a middle-aged millionaire whose unsatisfied ambitions drive him to Africa. Bellow's later works include Herzog (1964), about the troubled life of a neurotic English professor who specializes in the idea of the Romantic self; Mr. Sammler's Planet (1970); Humboldt's Gift (1975); and the autobiographical The Dean's December (1982).
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